When I’m trying to explain to people what I think is grand and noble about movement, I say that the reason it is our most valuable connector as human beings is because that person onstage, who has a body similar to ours, is using that body in proxy for us. That kind of transference and connection is a very poetic way of saying something that I think the doctor’s given his life to understanding: how an idea about movement can actually be felt. This fact is the way that I’ve been able to deal with issues of identity. And the making of art, the sharing of it, is in some ways — healing sounds way too sentimental — but it bridges the gap between individuals. When I read some of Dr. Sacks’s meditations on how the brain works, in a way he demystifies these things that I have a feeling about. But in another way he encourages me to look with more courage at the physical world.
Identity. Just another one of the paths we can take when we finally orchestrate an interview with the great choreographer for On Being. Oh, and we will do so one day. *smile*